1905-1940 Early Genius
5/10/1879
-Eugen Bauer Born in Stuttgart. 1
16/09/1905
-Opens small factory for Repair & Manufacture of Fine Mechanical and Optical Instruments. 1
1907
-Amongst the First to produce Projector with Take Up Reel. 1
1910
-Introduced Electric Carbon Arc Lamps, to his Projector.1
1928
-Production moved to Untertürkheim. 1
-Introduction of Projectors synchronized to Gramophones. 1
1930
-The M7, the First Bauer Optical Sound Projector Produced. 1
1932
-Eugen Bauer GmbH becomes subsidiary of Robert Bosch GmbH. 1
1938
-"Bauer 8" First Bauer 8mm camera, with 10 m cartridges, 5 speeds and 6 different lenses. 1
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1945-1964 A New Begining
1946
-Having survived the war, production (especially projectors) resumed. 1
1953
-First 3 D and Cinemascope films in Germany were shown on Bauer Projectors. 1
-"Bauer 88" first Bauer Double 8 camera, with Bayonet Mount for Inter changeable Lenses. 1
-Shortly afterwards the "88C" released with, 8,16,24,48 and single frame. 1
1954
-"88B" released, the First camera to have semi-automatic exposure control. 1
-"Pentalux 8", equiped with synchronization ability. The First 8mm projector to acheive this. 1
1956
-Bauer "T 10" introduced, with a coupler for connecting to a tape recorder. 1
1958
-"88ES" the First camera to allow lip-synch recording introduced. 1
-"P5", a transportable 16mm projector released. Came with coupling for sound unit. 1
-November 4th, Eugen Bauer passes away. 1
1959
-Bauer introduced "88F" with fully automatic exposure control. 1
1961
-Company expands to meet demand for 8mm products. The "88L" released with zoom lens. 1
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1965-1969 New Challanges-Cameras
-1965
-Super 8 film format released. Bauer develops cameras for the new format
-"C1" with Bauer Vario f1.8 9-36mm lens made in Japan, (1-12-18-24 fps) while
-"C2" with Schneider Vario f1.8 8-40mm lens, (1-12-18-24 fps) and Fade facility. 2
1966
-Bauer "C3" released, Bauer Vario f1.8 10.5-32mm lens. First with Fibre glass body. 2
-1967
-"C1M" Bauer's First power zoom camera, with Vario f 1.8 9-36mm lens. 2
-"C2A", update of "C2" with Bauer Vario f1.8 7.5-60mm lens and power zoom also
-"C2B", update of "C2" with Schneider Vario f1.8 7-56mm lens and power zoom. 2
To meet the new demand, Eugen Bauer Stuttgart, a subsidiary of Robert Bosch, was combined with Robert Bosch Electronic GmBH, Berlin. The new company was named, Robert Bosch Electronic & Photokino GmBH.1
-1968
-Bauer inroduces First Cameras with Variable Shutter, and 90 Frame Film Rewind. 2
-"C Royal 6" with Bauer Vario f1.8 8-48mm lens, also
-"C Royal 10" with Bauer Vario f1.8 7-70mm lens. 2
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1965-1969 New Challanges-Projectors
1965
-T1, T1S and the T1S Royal, First Bauer Super 8 projectors are update of T12 Regular 8 line. 3
-All could project Fowards, Reverse, & 18 Fps, but only T1S & T1S Royal had Still Frame 3
-T1 came, 8V 50W lamp with built in mirror, T1S, 12V 100W halogen lamp without mirror,
while the T1S Royal had a 15V 150W halogen lamp without mirror. 3
-The T1 & T1S came with either Bauer f 1.3 20mm or Bauer Vario f1.3 18-30mm lens. 3
-The T1S Royal had the optional Kern Vario Switar f1.3 12.5-28mm lens. 3
1966
-T3 released, with an 8V 50W lamp, 9 & 18 fps, and 60m reel capacity. 3
-Came with either Isco Kiptagon f1.3 20mm or Isco Vario f1.4 18-30mm lens. 3
1967
-First Bauer Sound projectors, the T2 for Super 8 & T22 for Standard 8 & Super 8. 3
-Both had 18 & 24 Fps and 12v 100W halogen lamps without mirrors, and
-Vario Kiptagon f1.4 18-30mm lens. 3
-"P6" 16mm projector introduced with, fully automatic threading. 1
1968
-T4 released with same lens options and lamp as the T3, but with 120m reel capacity. 3
-It was capable of film Rewind, and Forward and Reverse projection. 3
The production facility at Untertürkheim was running at full capacity. Bauer took over the
Silma Projector Factory, of Turin and the Siemens projector department. From Siemens it got
the 3008 Sound Projector, with 15V 150W halogen-lamp and 180m reel capacity, later
named the T30, and from Silma the Duo Super/Standard 8 projector, re-named the T5.
-The T5 had Foward & Back Projection and rewinding through film channel. 3
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1970-1974 The Boom Years-Cameras
1970
-After restructuring the new company became Robert Bosch GmBH Stuttgart Untertürkheim. 1
-Bauer & Sun Optical Co Ltd in Taiwan formed to produce Super 8 Vario lenses. 1
-An Optical Company established in Switzerland produced for Bauer the following; 2
The Vario f1.2 8-20mm & f1.8 9-36mm lenses for the Star cameras, 2
The Vario f1.2 7-45mm & f1.2 6-51mm lenses for the XL cameras with Macro focus, 2
Mirror reflex rangefinder system for movie cameras, Projector lenses, and other Lenses. 2
1972
-Robert Bosch Malaysia founded to make Super 8 cameras, parts and projectors. 1
-Firms in Italy, Germany Taiwan and Malaysia combined, to become the Photokino Division. 1
-Update of "C Royal" shown at Photokina. With Computer technology, and time exposure. 1
1973
-"C4" with Vario f1.8 9-36mm & 1-18-36 fps & power zoom was released as well as
-"C6" with Vario f1.8 8-48mm & 1-9-18-36 fps & power zoom as well as
-"C8" with Vario f1.8 7.5-60mm & 1-9-18-24-36 fps & power zoom as well. 2
-Bauer also produced the above cameras with different bodies for Silma and Revue. 2
-The C4, C6 & C8 were later released with macro function, developed at the Swiss factory. 2
-"C 5 XL" Macro the First Bauer XL camera, with Bauer Vario XL f1.2 8-40mm lens. 2
-The Royal 6E, 8E & 10E were released with electronic circuitry. 2
1974
-Kodak released sound film with magnetic stripe.
-The First sound cameras designed by Bauer, were made by Chinon, they were; 2
"C3 XL" with Vario f1.9 9-22.5mm lens and "C8" with Vario f1.8 7-60mm lens with fader. 2
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1970-1974 The Boom Years-Projectors
1970
-T15 & T16 sound projectors, released, T15 for Super 8, T16 for both Super & Standard 8. 3
-T15 originally had 8V 50W lamp, but later came with 12V 75W halogen lamp with mirror. 3
1971
Bauer introduces "Box of Bricks" system of manufacturing to Silma factory. The "Box of Bricks" system simplified production of projectors, allowing for an increase in productivity. From three basic models of Bauer Sound projector, 14 different types were able to be produced. 3
1974
Bauer built just over 300,000 projectors, mostly at the Silma facility. Experiments with Cartridge Systems, Recorder like projectors & Flying spot scanners, ended without commercial success. 3
-Released following Silent Standard/Super 8 projectors with "Box of Bricks" system;
-T2 Silent Standard/Super 8 projector with, 8V 50W lamp with built in mirror, later replaced
with Halogen cold light lamp with mirror. 3
-T8, 12V 100W lamp, Forward, Reverse & Still projection, and 6 Fps projection speed.
-T40 Sound, 18, 24 Fps & 15V 150W halogen lamp, Isco Vario Kiptagon f1.3 6.5-30mm lens. 3
-Bauer also released the following Sound projectors with "Box of Bricks " method; 3
-T17, 8V 50W lamp & 5W amplifier, 180m reel capacity Super 8 projector,
-T18, Standard/Super 8, 180m reels 12V 100W cold light mirror lamp & 10W amplifier,
-T18ML was a the Optical and Magnetic Sound version of the T18. 3
-Bauer released the following with the "Duo Play" system,
which allowed the voice to be put
on the First Track and Background music on the other. 3
-T50, Super 8, 15V 150W cold-light mirror lamp, 240m reels & 20W amp,
-T60, First Stereo projector for Super 8, with a 2 X 20W amp system, & Duo Play. 3
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1975-1979 The Peak Years-Cameras
1975
-Bauer had 10 film cameras and 8 projectors on the market. 1
1977
-Bauer released the following all with Bauer Macro Vario Lenses, except the C109XL
"C104" with f1.8 9-36mm, "C106" with f1.8 8-48mm, and "C108" with f1.8 7.5-60mm 2
"C107XL" f1.2 7-45mm with three speeds,
"C109XL" f1.8 6-51mm (without Macro lens) 2
"C104-C108" redesigned for Neckerman, same applied to " C107XL" & "C109XL" for Porst. 2
-Chinon built more sound cameras for Bauer with Vario Lenses, they were the;
"S 30XL" with f1.9 9-22.5mm, "S 40XL" with f1.8 9-36mm, and "S 50XL" with f1.2 8-40mm
All had manual & auto sound regulation, 18 & 24 fps. 2
-Bauer replaces the "Royal" Series with the "A" Macro Series cameras, which were;
"A 508" Bauer Vario f1.8 7.5-60mm & "A 512" Schneider Varigon f1.8 6-70mm. 2
Both had electronically controlled functions. 2
1978
-Chinon built the last sound cameras for Bauer, they were Bauer S 105XL & S 108XL. 2
-Bauer Produced the following sound cameras with Vario Lenses, they were;
"S 204XL" f1.7 9-36mm, "S 206XL" f1.2 7-45mm, and "S 209XL" Macro f1.2 6-51mm. 2
The 206XL & 209XL were released as the Silma S400 & S800. 2
1979
-The first Microcomputer controlled cameras appeared,
"S 709 XL" with Bauer Vario f1.2 6-51mm,
"S 715 XL" with Angenieux Vario f1.4 6-90mm. 2
Both cameras had lap dissolves, fader, auto and self timer,9-40 fps for both picture and sound. 2
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1975-1979 The Peak Years-Projectors
1975
-T21 Silent projector released, Standard/Super 8, 8V 50W lamp, & 18/24 Fps speed. 3
-T51, 12V 75W cold-light mirror lamp, 15-25 Fps selection & Foward/Reverse and Slow mo. 3
-T81 was the same as the T51, with added features of a 12V 100W lamp and Freeze frame. 3
1976
-First of the TR series of Daylight projectors, with built in screens appeared. 3
-TR100, 12V 100W lamp, Forward and Reverse projection, Marata 30X22.4 cm screen. 3
-T170, Super 8 Sound, 12V 75W lamp, and 5W amp. 3
-T180, Standard/Super 8 Sound, 12V 100W lamp, 10W amp with Duo-Play automatic. 3
1977
-Released three projectors with new "Recovac sound heads and, 15V 150W cold-light lamp. 3
Came with 20W amp and either one of these lenses. 3
-Will Vario Travenon f1.3 16.5-30mm or Schneider Xenovaron f 1.3 12-30mm lens. 3
-T500, Single track, T520, Duo-Play automatic T600, Stereo projector with, Single Frame
Counter and 2X20W amp and First with Electronic scene program. 3
-TR200, now with ability to project normally and onto a provided mini screen. 3
-TR 300, Standard/Super 8 had above features with Duo-Play automatic added extra. 3
-T190ML, a magnetic & Optic Sound projector, with 15V 150W lamp and 10W amplifier. 3
1978
-Three Silent projectors released, with easier changing from Standard 8 to Super 8. 3
-T22, 12V 100W lamp, T52, 12V 75W lamp, Forward/Reverse & Slo-motion projection,
-T82, with 12V 100W lamp, Forward/Reverse & Slo-motion projection, and Freeze Frame. 3
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1980-1985 The Declining Years-Cameras
1980
-Bosch takes over the film & photo section of Braun AG, Kronberg Germany.
This included Cine Nizo, formely known as Niezoldi & Kramer in Munich.2
-At the time the Production Run at Cine Nizo was;
Integral 5, 6 & 7 sound cameras were also released as
the Bauer S 204-209 XL series. 2
The flag ship models of Cine Nizo
the 6056 & 6080 also had microcomputers like the
Bauer S 709XL & S 715 XL. 2
1981
-The following models appeared;
"S 407XL" Macro with the Vario f1.2 7-45mm and, from 2
-The Malaysian plant, came microcomputer controlled sound cameras with
Vario f 1.2 6-51mm lens;
"S 409XL" Macro & "S 609XL" Macro. 2
1982
-Bauer released the following Sound cameras with Macro Vario Lenses;
"S 305 XL" with f1.4 8.5-40mm and "S 397 XL" with f1.2 7-45mm. 2
And the following Silent cameras with Macro Vario Lenses;
"C 500 XL" f1.4 8.5-40mm, "C 700 XL" f1.2 7-45mm, and "C 900 XL" f1.2 6-51mm. 2
-Movie camera sales began declining by up to 50% of the preceeding year's total. 2
1984
-Last model released, "S 360XL" with Macro Vario f1.2 7-42mm lens & lap dissolve function. 2
1985
-By this time the factory at Stuttgart was sold to Daimler-Benz. 2
The Bauer Story had come to an end.
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1980-1985 The Declining Years-Projectors
A year earlier released T192 Sound Standard/Super 8 with the following features; 3
15V 150W lamp, 15W amplifier, Duo-Play Automatic and Remote feature. 3
1980
A year of change and upheavel. Sales decreased by up to 50% of the previous year,
Eumig declared Bankruptcy, quickly selling 200,000 projectors.
Bauer took over Braun which included the Visacustic Stereo projectors, which were Micro-computer controlled. 3
-Released a flurry of DC Motor Silent and Sound Projectors, to take advantage of the situation. 3
-The Silent Projectors T243 & T83, updates of T22 & T82,
-The Sound Projectors T172, T182 & T183 updates of T171, T180 & T192. 3
-T502, Super 8, Electronic Duo-Play, Mechanical Counting, 20W amp & 240m reel capacity. 3
-T510, Super 8, for playing stereo on Duo-Play automatic, 20W amplifier. 3
-T525, Super 8, Micro-computer drive, Electronic counting, Electronic scene
programming & Duo-Play automatic. 3
-T610, Super 8, Micro-computer drive, Scene programming, which could transfer voice from
track to to track. 3
1981
Bauer sold Silma factory, but agrees to buy 130,000 projectors for the next four years. 3
1982-1985
-Last Silent Projector, Visalux released. Updates to T172 & T183, the T240 & T280 released. 3
-Last Sound projectors, T430, with Servo motor & either 30W mono or 2X15W Stereo amp,3
-T450, Duo-Play automatic, microcomputer steering and track to track transfer. 3
Silma re-opens in 1986, continuing production of Visalux, T82 & T240, but soon closes. 3
The Bauer Story had come to an end.
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
References
1. John Brinkley, pg 62-64, Movie Maker, Argus Specialist Publications Ltd,
London, June 1985.
2. Hans Fokkelman, pg 19-26, Back Focus, Journal of Australian Photographic Collectors
Society (Inc) Melbourne, November 2001.
3. Hans Fokkelman, pg 9-15, Back Focus, Journal of Australian Photographic Collectors
Society (Inc) Melbourne, March 2004.
Special Thanks to:
Robert Bosch GmBH
Produktbereich Photokino Möglingen.
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1908-1949 Precocious Talent
1908-1940
-Marcel Beaulieu born in Paris. Became an Electromechanical Engineer and later worked at Pathe and Gaumont. 1
-At 32 designs his first 16mm camera, the G.I.C, no larger than most Standard 8mm cameras. 1
1941-1949
-An avid cameraman himeself, Produces in 1942 the ETM P 16, 16mm single lens camera. 1
-Under the G.I.C banner produced several 8mm and 9.5mm cameras. 1
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1950-1964 Advanced Design
1950
-Beaulieu factory opens at Campigny-sur-Marne with the M16 camera. 1
1952
-T16 released, with pivoting twin lens turrent, 10,16,24,32,48,64 & Single frame. 2, 3
1955
-M8, First Beaulieu Standard 8mm camera, with Cinor Berthiot f1.9 12.5mm lens. 1, 2, 3
-M8 had spring motor, 8-64 Fps Adjustable speed, Single frame, and Interchangeable lens. 2, 3
-T8 same as M8 but with Cinor f1.9 12.5mm & f2.0 35mm lenses on a Pivoting Turrent. 2, 3
1956
-R16, Beaulieu's First Reflex 16mm camera. 1, 2
1958
-MR8 and later TR8, released, First Beaulieu 8mm cameras with reflex viewing. 1
-MR8 had Som Berthiot f1.9 8-40mm lens, TR8 came with Angenieux f1.8 12.5mm lens. 2, 3
1960
-Romorantin facility, by the Loire, opens. 1Beaulieu's first 8mm projector, P8 released. 2
1961
-MCR8 released, First Beaulieu 8mm camera with on board exposure meter. 2, 3
1962
-MAR8 released, First Beaulieu 8mm camera with fully Automatic metering. 2, 3
-RC16 released, three lens turrent, 1,8,16,24,32,48,64. Semi-auto exposure came later. 2, 3
1964
-CRE16, released, First Beaulieu 16mm camera with internal electric motor. 2
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1965-1975 Boom Years
1965
-2008, First Beaulieu Super 8 camera, with Reflex viewing and metering, Multiple frame speeds,
Variable Mirror Shutter, and Interchangeable C mount lenses. 1
-Originally came with Angenieux f1.9 8-64mm and later Schneider Vario f1.8 8-40mm lens.
-R16 electric motor updates released over following years, incorporating battery in handgrip
semi-auto and auto exposure, 2-64 Fps & 24/25 Fps, Sync socket, & Reverse Filming. 4, 5
1966
-CRE 16 Sync, update of CRE 16 incorporating sync facility. 2
1969
-4008 ZM released. Update of 2008 with Macro lens and Electric zoom. Lenses used were,
-Agenieux f1.9 8-64mm and Agenieux f1.9 8-64mm with Macro focus. 2, 3, 6
1971
-4008 ZM II, update with Pilot tone socket and later on, Rewind function. Lenses used, 2, 6, 18
-Agenieux f1.9 8-64mm Macro and Schneider Kreuznach f 1.8 6-66mm Macro. 6
1972
-3008 S released, Futuristic looking with Angenieux f1.9 8-64mm lens & Auto Exposure. 3
-4008 S, simplified version without Power zoom. Schneider Kreuznach f 1.8 7-56mm lens. 2, 6
1974
-4008 M III released. No Power zoom, Schneider Kreuznach f 1.8 6-66mm lens. 2, 6
1974-75
-5008 S, Beaulieu Super 8 Sound camera, Schneider f1.4 6-70mm lens, 18/24 Fps. 2, 3, 7, 18
-100 frame Rewind for Sound Cartridge. Macro function & more Frame speeds came later. 7, 18
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1976-1980 Challenging Years
The company undergoes several restructurings. Competition from rivals, the introduction of video and dwindling sales has Jean Ferras taking control during this period. 19
1976
-3008 MS released, simplified version of 5008 MS, with Schneider f1.4 8-50mm lens. 2
-4008 ZM IV released, with Rewind function and 80 Fps. Lenses used, 2, 6, 16
-Angenieux f1.4 6-80mm Macro and Schneider Kreuznach f 1.4 6-70mm Macro lens. 6
1978
-Chinon made 1008XL, 1018SXL, & 1028XL 60, cameras over following years for Beaulieu. 18
-1008XL Sound, f1.2 7-45mm lens, 225° Opening Circular shutter, 2,9,18,24 &36 Fps. 2, 8, 9
1979
-1018 SXL released, with f1.8 7.5-60mm lens, 2,9,18 & 36 Fps. 2, 10
-1028 XL 60 Sound, f1.2 6.8-48mm lens, 9,18,24 & 36 Fps, & accepts 200 Ft cartridge. 2, 3, 13
-6008 released, "S" Sound Camera & "Pro" Silent Camera but accepted Sound cartridges,
Both had Time Lapse, Variable Shutter, & 10sec maximum motorised Rewind, repeatable on a 200ft cartridge. 2, 3, 10, 11, 12, 13, 14
-The "Pro" has optional Quartz control for 24 and 25 Frames per sec. 13, 14
-Inserting a Sound cartridge in the "S", activates a Hall Effect device that interacts with a
magnet on a pivoting arm located in the film path, generating smoother control voltages for
the claw drive motor. 12
-Lenses, used Schneider f1.4 6-70mm Macro, & Beaulieu f1.4 6.9-55mm Macro. 10, 11, 12, 13, 14
-Digital versions of S & Pro came with LED frame counter, & Angenieux f1.2 6-90mm lens. 14
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
1981-2002 Changing Times
During this period the production of Video cameras and accessories starts to take precedence
over 8mm and 16mm items. The production of parts for the 4008 series of cameras ceased
during 2002. 2, 19
1981
-708 EL HP, standard 15V 150W lamp with option of 250W HTI Metal Vapour arc lamp. 14
-Standard Three Bladed Shutter could be replaced with Two Bladed Shutter, for Transfers. 14
1985
-7008 released, S (Sound) with Hall Sensor System & Pro with optional Quartz control. 2, 15, 17
-The Pro accepted Sound cartridges but had no recording facility. Both had; 17
-LCD Footage & Frame counters, Intermittant Motorised Rewind for 200ft cartridges, 15, 17
Variable Shutter & Time Lapse Function. Choice of following lenses, 15, 17
-Angenieux f1.4 6-90mm Macro (T-Stoped indexed), or Schneider f1.4 6-70mm lens. 15
-2016, with, 4,9,36,80 & 24/25(Quartz lock) Fps, LCD Frame counter, & Motor Reverse. 2, 16
1993
-Update of 708 EL Projector released. 2
2000
-Limited production of 4008 cameras with new and reconditioned parts commences. 2
2002
-Limited production of 4008 cameras ceases. 2
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
REFERENCES PART ONE
1. La qualité Beaulieu, Author Unknown, International Widescreen Magazine, pgs 8-10
Vol 25 No 5, Jan/Feb, London, 1990.
2. Historique section, Author Unknown, http://www.beaulieu-images.com,
Sections 1950, 1960, 1970, 1980, 1990, 2000.
3. Gallery section, Author Unknown, http://cescom.fr/beaulieu/htm/galerie/accuiel_galerie.htm,
Sections 1950, 1960, 1970, 1980 & 1990.
4. Classic Camera, Dorian Cowland, Movie Maker Magazine, pgs 33-34,
Vol 19 No 10, October, Argus Specialist Publishers, London 1984.
5. Camera List, Michael Rogge, http://www.xs4all.nl/~wichm/cinelist.htm
6. Identifying a 4008, Author Unknown, http://www.bondy.de/beaulieu/models.html
7. Test Beaulieu at the Ballet, Chris Wordsworth/Peter West, Film Making Magazine, pgs 19-21
Vol 14 No 9, December, Penblade Publishers, London, 1976.
8. State of 8 in '78, Dell Hillgatner, Filmmakers Monthly Magazine, pgs 44-45
Vol 12 No 5, March, Suncraft International Publishers, New York, 1979.
9. Big Game Hunting with Beaulieu, Ken Pople, Film Making Magazine, pgs 47-49
Vol 17 No 4, April, Penblade Publishers, London, 1979.
10. What's New: New Beaulieus, Author Unknown, Film Making Magazine, pg 45
Vol 17 No 8, August, Penblade Publishers, London, 1979.
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
REFERENCES PART TWO
11. Test Report Beaulieu 6008S, Author Unknown, Movie Maker Magazine, pgs138-141
Vol 14 No 2, February, Model & Allied Publications, London, 1980.
12. Test Beaulieu 6008S, Stephen Fyles, Film Making Magazine, pgs51-53,
Vol 18, No 3, March, Penblade Publishers, London, 1980.
13. What's New: Two New 200ft Beaulieus, Author Unknown, Film Making Magazine, pg 53
Vol 18 No 9, September, Penblade Publishers, London, 1980.
14. Beaulieu is Back, Author Unknown, American Widescreener Magazine, pgs 1 & 3
Vol 3 No 3, Nov/Dec, Pittsburgh, 1982.
15. New Beaulieu 7008S! Martin W. Baumgarten, American Widscreener Magazine, pgs 1-2
Vol 4 No 3 Sep/Oct, Texas, 1985.
16. What Is It....?, Author Unkown, International Widescreen Magazine, pgs Front & 5
Vol 24 No 2 June/July, London, 1988.
17. Beautiful Beaulieu, Francis Williams, Making Better Movies Magazine, pgs 38-40
Iss 15, March, London, 1989.
18. Beaulieu Super 8 Cameras, Martin Baumgarten, http://lavender.fortunecity.com/lavender/569/beaulieu.html
19. Historique section, Author Unknown, http://www.beaulieu-images.com, Opening page.
Author accepts no responsibility for errors or omissions contained in this article.
© Copyright INTO 8MM FILM 2004-2005.
The 8mm story owes alot to brilliant individuals, whose genius, innovation and promotion led to great advances, not only in the smaller formats, but the larger ones as well. Click on the links on the right to view a particular story. Navigate through the pages with the Back and Foward Link.
BACK___FORWARD